PhD research

From 2019 to 2022, Johannes Leertouwer conducted PhD research into 19th-century performance practices of the orchestral music of Johannes Brahms at the Academy of Creative and Performing Arts (ACPA) of Leiden University. In January 2023 he obtained his doctorate. Working with a special Project Orchestra and soloists playing on 19th-century instruments or copies of such instruments, he investigated lost expressive tools of the past in practice as an integral part of his research. Over the course of his research project he has recorded the four Brahms symphonies and the four concertos. Together with his orchestra and the soloists, Johannes has developing a way of handling tempo modifications, vibrato and portamento that resulted in sounding results that differ significantly from any results in both the mainstream performance practice and HIPP of 19th-century repertoire. The audio recordings, that were presented as limited edition Cd-recordings as integral part of his dissertation are available on this website, as is the written part of the dissertation. The process of researching, investigating, developing and implementing lost expressive tools is documented in film and video recordings that can also be found on this page.

Johannes Leertouwer uses this website to present his research, and other material such as films and recordings about his project. His goal is to make his findings and results easily accessible to anyone who might be interested.

We kindly ask that you handle the materials on this website, that can all be downloaded, with discretion. They are not intended for publication outside this website.

We hope that you can find your way around the site and its content easily and that you find it inspiring. We look forward to hearing from you through feedback and comments.

Recordings

The audio recordings are no longer available on this website but I am pleased to announce that Glaux Records will release remastered versions of them over the next two years.

Documentaries

Brahms Project through the years

Tempo modification explained

First Symphony

Second Symphony

Third Symphony

Fourth Symphony

Research paper

Re-inventing the nineteenth-century tools of unprescribed modifications of rhythm and tempo in performances of Brahms’s symphonies and concertos

by Johannes Leertouwer

This dissertation and the corresponding films and recordings presented here are an effort to distil an approach to performing the orchestral music of Johannes Brahms that is significantly different from what has hitherto been produced in the fields of both Mainstream Orchestral Performance Practice (MPP) and the Historically Informed Performance Practice (HIPP).

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